{"version":"1.0","provider_name":"Filmfest Aachen","provider_url":"https:\/\/filmfestaachen.com\/en","author_name":"Niklas Michels","author_url":"https:\/\/filmfestaachen.com\/en\/author\/admin-2\/","title":"Brazil - Filmfest Aachen","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"HRlfHzkzQD\"><a href=\"https:\/\/filmfestaachen.com\/en\/programm\/brazil\/\">Brazil<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/filmfestaachen.com\/en\/programm\/brazil\/embed\/#?secret=HRlfHzkzQD\" width=\"600\" height=\"338\" title=\"&#8220;Brazil&#8221; &#8212; Filmfest Aachen\" data-secret=\"HRlfHzkzQD\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n<\/script>","description":"AFTER-IMAGE: SCREENING AFTER THE FESTIVAL Not only the skin is liquid in Brazil&#8217;s iconic world of high-society beauty the very fabric of meaning within the state apparatus dissolves as well. Unlike other dystopian classics, Brazil portrays the total bureaucratic nightmare. Much like Kafka\u2019s The Trial, the system operates as an opaque and alien force. Bureaucracy [&hellip;]","thumbnail_url":"https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/image-w1280.webp","thumbnail_width":1280,"thumbnail_height":720}