{"version":"1.0","provider_name":"Filmfest Aachen","provider_url":"https:\/\/filmfestaachen.com\/en","author_name":"Niklas Michels","author_url":"https:\/\/filmfestaachen.com\/en\/author\/admin-2\/","title":"ABSEITS: dystopia - Filmfest Aachen","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"2YH27NMUIu\"><a href=\"https:\/\/filmfestaachen.com\/en\/programm\/dystopia\/\">ABSEITS: dystopia<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/filmfestaachen.com\/en\/programm\/dystopia\/embed\/#?secret=2YH27NMUIu\" width=\"600\" height=\"338\" title=\"&#8220;ABSEITS: dystopia&#8221; &#8212; Filmfest Aachen\" data-secret=\"2YH27NMUIu\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n<\/script>","description":"Why is it that in our fictional visions \u2013 like film \u2013 we so often imagine only the end of the world (or its worsening under the guise of improvement)? This question strikes at the core of art and the potential necessity of narrative \u2013 one might argue. In ABSEITS: DYSTOPIA, I want to show [&hellip;]","thumbnail_url":"https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/07\/Section-Announcement9.jpg","thumbnail_width":1080,"thumbnail_height":1350}