{"id":3460,"date":"2026-09-10T21:19:29","date_gmt":"2026-09-10T19:19:29","guid":{"rendered":"https:\/\/filmfestaachen.com\/?page_id=3460"},"modified":"2026-09-11T17:09:25","modified_gmt":"2026-09-11T15:09:25","slug":"shorts-restricted-movement","status":"publish","type":"page","link":"https:\/\/filmfestaachen.com\/en\/programm-2026\/shorts-restricted-movement\/","title":{"rendered":"Shorts Program"},"content":{"rendered":"
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Restricted Movement\u00a0<\/strong><\/span><\/p>

To step outside of language is impossible, as Jacques Derrida famously put it. To step outside a system, unthinkable then? Across these four films, movement takes shape within structures already in place. A family dances through the architecture of their home, women claim an hour at the <\/span>Super Afghan Gym<\/b>, photographs form a continuous <\/span>shot reverse shot<\/b> between observer and observed (who is who?), while staying at a party becomes a matter of interpretation.<\/span><\/span><\/p>

Bodies and actions are choreographed, observed, restricted and put on record, until meaning seems to emerge between what happens and how it is catalogued. As if everything would make more sense once properly documented, deciphered, taken apart. Look more closely, though, and the systems themselves begin to appear strange, sometimes outright absurd. And within that absurdity, there is a surprising amount of joy. When in doubt: lift some weights, share some food, have a laugh.<\/span><\/p>

Title picture: You Say That You're at the party Because You're Having Fun<\/em>\u00a0<\/span><\/pre>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\"\"<\/a><\/figure>
The Apple doesn\u2019t fall \u2026<\/a><\/h4>
China, 2026, 19 Min, Dean Wei, Chinese <\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Super Afghan Gym <\/a><\/h4>
Germany, 2026, 14 min, Shahrbanoo Sadat, Dari <\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"\"<\/a><\/figure>
You Say That You\u2019re Staying at the Party Because You\u2019re Having Fun<\/a><\/h4>
Sweden, Denmark & Germany, 2026, 27 min, Siri Hammar\u00e9n, Danish, German \n<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Shot Reverse Shot<\/a><\/h4>
Romania, 2026, 22 min, Radu Jude & Adrian Ciofl\u00e2nc\u0103, Romanian, English <\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/path><\/svg>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tTICKETS<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Saturday, 26.09. 15.30 Apollo II\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"
Restricted Movement\u00a0 To step outside of language is impossible, as Jacques Derrida famously put it. To step outside a system, unthinkable then? Across these four films, movement takes shape within structures already in place. A family dances through the architecture of their home, women claim an hour at the Super Afghan Gym, photographs form a […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":2549,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3460","page","type-page","status-publish","hentry"],"yoast_head":"\nShorts Program - Filmfest Aachen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmfestaachen.com\/en\/programm-2026\/shorts-restricted-movement\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Shorts Program - Filmfest Aachen\" \/>\n<meta property=\"og:description\" content=\"Restricted Movement\u00a0 To step outside of language is impossible, as Jacques Derrida famously put it. To step outside a system, unthinkable then? Across these four films, movement takes shape within structures already in place. 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