{"id":651,"date":"2025-08-15T00:43:12","date_gmt":"2025-08-14T22:43:12","guid":{"rendered":"https:\/\/filmfestaachen.com\/?page_id=651"},"modified":"2025-08-23T19:13:28","modified_gmt":"2025-08-23T17:13:28","slug":"my-stolen-planet","status":"publish","type":"page","link":"https:\/\/filmfestaachen.com\/en\/programm\/my-stolen-planet\/","title":{"rendered":"My Stolen Planet"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"651\" class=\"elementor elementor-651\">\n\t\t\t\t<div class=\"elementor-element elementor-element-410190a e-flex e-con-boxed e-con e-parent\" data-id=\"410190a\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-0872730 elementor-widget elementor-widget-heading\" data-id=\"0872730\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Poetics of Refusal: \nWomen\u2019s Voices in Iranian Cinema\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-a729c28 e-flex e-con-boxed e-con e-parent\" data-id=\"a729c28\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-aa321ae elementor-widget elementor-widget-image\" data-id=\"aa321ae\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"772\" src=\"https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/Woman-dancin_cFarahnaz-Sharifi-1024x772.png\" class=\"attachment-large size-large wp-image-899\" alt=\"\" srcset=\"https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/Woman-dancin_cFarahnaz-Sharifi-1024x772.png 1024w, https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/Woman-dancin_cFarahnaz-Sharifi-300x226.png 300w, https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/Woman-dancin_cFarahnaz-Sharifi-768x579.png 768w, https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/Woman-dancin_cFarahnaz-Sharifi-1536x1157.png 1536w, https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/Woman-dancin_cFarahnaz-Sharifi-2048x1543.png 2048w, https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/Woman-dancin_cFarahnaz-Sharifi-16x12.png 16w, https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/Woman-dancin_cFarahnaz-Sharifi-1320x995.png 1320w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-5411699 e-flex e-con-boxed e-con e-parent\" data-id=\"5411699\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9b1c661 elementor-widget elementor-widget-text-editor\" data-id=\"9b1c661\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"color: #ff0000;\"><em><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\">Iran, 2024, 82 min, Farahnaz Sharifi, Farsi<\/span><\/em><\/span><\/p><p><span style=\"color: #ff0000;\">+ Short film<\/span><br \/><span style=\"color: #ff0000;\"><strong>The House is Black<\/strong> <\/span><br \/><span style=\"color: #ff0000;\"><em>Iran, 1963, 20 min, Forugh Farrokhzad, Farsi<br \/>Original version with english subtitles <\/em><\/span><\/p><p class=\"cvGsUA direction-ltr align-justify para-style-body\"><span style=\"color: #ff0000;\"><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\">Iranian cinema has long echoed with defiance. In a country where filmmaking is often an act of subversion, directors have learned to create under censorship, surveillance, and the threat of imprisonment. From Jafar Panahi smuggling <\/span><strong><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\">This is Not a Film<\/span><\/strong><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"> out on a USB hidden in a cake, to anonymous videos shared during protests, the act of image-making in Iran is always more than representation, it is resistance.<\/span><\/span><\/p><p class=\"cvGsUA direction-ltr align-justify para-style-body\"><span style=\"color: #ff0000;\"><strong><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\">The House is Black<\/span><\/strong><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"> and <\/span><strong><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\">My Stolen Planet<\/span><\/strong><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"> emerge from this legacy. Forugh Farrokhzad\u2019s <\/span><strong><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\">The House is Black <\/span><\/strong><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\">is a pioneering work of Iranian feminist cinema, set in a leprosy colony. Through lyrical narration and stark visuals, she gives voice to those cast out by society creating a radical act of empathy and rupture.<\/span><\/span><\/p><p class=\"cvGsUA direction-ltr align-justify para-style-body\"><span style=\"color: #ff0000;\"><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\">Farahnaz Sharifi\u2019s <\/span><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"><strong>My Stolen Planet<\/strong>, <\/span><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\">made six decades later, continues this feminist resistance. Weaving Super 8 home movies, personal archives, and quiet gestures of everyday life, the film becomes a counter-history to the Islamic Republic. It bears witness to Iran\u2019s current uprisings, especially the women-led Jin, Jiyan, Azadi movement.<\/span><\/span><\/p><p class=\"cvGsUA direction-ltr align-justify para-style-body\"><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\" style=\"color: #ff0000;\">Together, these films span generations of women\u2019s resistance in Iran. They don\u2019t shout; they remember, mourn, and dream. They are not simply films, but acts of witness \u2013 alive, defiant, and unforgotten.<\/span><\/p><p>\u00a0<\/p><div><div><div><p><span style=\"color: #ff0000;\">Das iranische Kino tr\u00e4gt seit Langem den Geist des Widerstands in sich. In einem Land, in dem das Filmemachen selbst ein subversiver Akt sein kann, haben Regisseur*innen gelernt, unter Zensur, \u00dcberwachung und der Drohung von Haft kraftvolle Werke zu schaffen. Von Jafar Panahi, der <strong>This is Not a Film<\/strong> in einem Kuchen au\u00dfer Haus schmuggelte, bis zu anonym geteilten Videos von Protesten \u2013 das Erzeugen von Bildern im Iran ist stets mehr als blo\u00dfe Darstellung, es ist ein Akt des Widerstands.<\/span><\/p><\/div><div><p><span style=\"color: #ff0000;\">Aus diesem Erbe entstehen The House is Black und My Stolen Planet. Forugh Farrokhzads <strong>The House is Black<\/strong> gilt als bahnbrechendes Werk feministischen iranischen Kinos. In einer Leprakolonie gedreht, verleiht der Film jenen eine Stimme, die aus dem gesellschaftlichen Ged\u00e4chtnis gel\u00f6scht wurden \u2013 durch poetische Sprache und eindringliche Bilder als radikaler Akt der Empathie und des Aufbegehrens.<\/span><\/p><\/div><div><p><span style=\"color: #ff0000;\">Farahnaz Sharifis <strong>My Stolen Planet<\/strong>, sechs Jahrzehnte sp\u00e4ter entstanden, f\u00fchrt diese feministische Linie fort. Aus Super-8-Filmen, privaten Archiven und Alltagsgesten entsteht ein Gegen-Ged\u00e4chtnis zur offiziellen Geschichtsschreibung. Der Film zeugt von aktuellen Aufst\u00e4nden im Iran, insbesondere der von Frauen gef\u00fchrten Jin-, Jiyan,- und Azadi-Bewegung.<\/span><\/p><\/div><div><p><span style=\"color: #ff0000;\">Diese Filme durchziehen Generationen weiblichen Widerstands im Iran \u2013 leise, poetisch, unvergessen. Sie sind keine blo\u00dfen Filme, sondern lebendige Zeugnisse des Widerstands.<\/span><\/p><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-8ad1954 e-flex e-con-boxed e-con e-parent\" data-id=\"8ad1954\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7dc2d7e elementor-align-center elementor-widget elementor-widget-button\" data-id=\"7dc2d7e\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/rausgegangen.de\/events\/my-stolen-planet-filmfest-aachen-2025-0\/\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-icon\">\n\t\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-ticket-alt\" viewbox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M128 160h320v192H128V160zm400 96c0 26.51 21.49 48 48 48v96c0 26.51-21.49 48-48 48H48c-26.51 0-48-21.49-48-48v-96c26.51 0 48-21.49 48-48s-21.49-48-48-48v-96c0-26.51 21.49-48 48-48h480c26.51 0 48 21.49 48 48v96c-26.51 0-48 21.49-48 48zm-48-104c0-13.255-10.745-24-24-24H120c-13.255 0-24 10.745-24 24v208c0 13.255 10.745 24 24 24h336c13.255 0 24-10.745 24-24V152z\"><\/path><\/svg>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">TICKETS<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-debd1e1 e-flex e-con-boxed e-con e-parent\" data-id=\"debd1e1\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-cc99bf4 elementor-widget elementor-widget-video\" data-id=\"cc99bf4\" data-element_type=\"widget\" data-settings=\"{&quot;youtube_url&quot;:&quot;https:\\\/\\\/www.youtube.com\\\/watch?v=_TNVmAcAKEM&quot;,&quot;video_type&quot;:&quot;youtube&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<div class=\"elementor-video\"><\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-fb896bf e-flex e-con-boxed e-con e-parent\" data-id=\"fb896bf\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-57dceab elementor-widget elementor-widget-heading\" data-id=\"57dceab\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><br>FILM IS PRESENTED WITH SHORT FILM<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-f3bc7da e-flex e-con-boxed e-con e-parent\" data-id=\"f3bc7da\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-ff10c56 e-con-full e-flex e-con e-child\" data-id=\"ff10c56\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-643f044 elementor-widget elementor-widget-heading\" data-id=\"643f044\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"> THE HOUSE IS BLACK (1962) Forugh Farrochzad<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-909b0b1 e-con-full e-flex e-con e-child\" data-id=\"909b0b1\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9b3f3ea elementor-widget elementor-widget-image\" data-id=\"9b3f3ea\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/house-683x1024.jpg\" class=\"attachment-large size-large wp-image-1134\" alt=\"\" srcset=\"https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/house-683x1024.jpg 683w, https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/house-200x300.jpg 200w, https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/house-768x1152.jpg 768w, https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/house-1024x1536.jpg 1024w, https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/house-8x12.jpg 8w, https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/house.jpg 1200w\" sizes=\"(max-width: 683px) 100vw, 683px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Poetics of Refusal: Women\u2019s Voices in Iranian Cinema Iran, 2024, 82 min, Farahnaz Sharifi, Farsi + Short filmThe House is Black Iran, 1963, 20 min, Forugh Farrokhzad, FarsiOriginal version with english subtitles Iranian cinema has long echoed with defiance. In a country where filmmaking is often an act of subversion, directors have learned to create [&hellip;]<\/p>","protected":false},"author":2,"featured_media":0,"parent":596,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-651","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>My Stolen Planet - Filmfest Aachen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmfestaachen.com\/en\/programm\/my-stolen-planet\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"My Stolen Planet - Filmfest Aachen\" \/>\n<meta property=\"og:description\" content=\"Poetics of Refusal: Women\u2019s Voices in Iranian Cinema Iran, 2024, 82 min, Farahnaz Sharifi, Farsi + Short filmThe House is Black Iran, 1963, 20 min, Forugh Farrokhzad, FarsiOriginal version with english subtitles Iranian cinema has long echoed with defiance. 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