{"id":678,"date":"2025-08-15T00:48:26","date_gmt":"2025-08-14T22:48:26","guid":{"rendered":"https:\/\/filmfestaachen.com\/?page_id=678"},"modified":"2025-08-23T12:42:32","modified_gmt":"2025-08-23T10:42:32","slug":"brazil","status":"publish","type":"page","link":"https:\/\/filmfestaachen.com\/en\/programm\/brazil\/","title":{"rendered":"Brazil"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"678\" class=\"elementor elementor-678\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6d2f8c6 e-flex e-con-boxed e-con e-parent\" data-id=\"6d2f8c6\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-152e918 elementor-widget elementor-widget-heading\" data-id=\"152e918\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">AFTER-IMAGE: SCREENING AFTER THE FESTIVAL<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d35bb1c e-flex e-con-boxed e-con e-parent\" data-id=\"d35bb1c\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-cb88edd elementor-widget elementor-widget-image\" data-id=\"cb88edd\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/image-w1280-1024x576.webp\" class=\"attachment-large size-large wp-image-740\" alt=\"\" srcset=\"https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/image-w1280-1024x576.webp 1024w, https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/image-w1280-300x169.webp 300w, https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/image-w1280-768x432.webp 768w, https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/image-w1280-18x10.webp 18w, https:\/\/filmfestaachen.com\/wp-content\/uploads\/2025\/08\/image-w1280.webp 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-2d5a92a e-flex e-con-boxed e-con e-parent\" data-id=\"2d5a92a\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ae34552 elementor-widget elementor-widget-text-editor\" data-id=\"ae34552\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"color: #ffffff;\"><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\">Not only the skin is liquid in <strong>Brazil&#8217;s<\/strong> iconic world of high-society beauty the very fabric of meaning within the state apparatus dissolves as well. Unlike other dystopian classics, Brazil portrays the total bureaucratic nightmare. Much like Kafka\u2019s The Trial, the system operates as an opaque and alien force. Bureaucracy becomes a tool of oppression; paperwork, signatures, and stamps leave behind human casualties. At the same time, the decadent excess of the upper class persists. We are thrilled to screen <\/span><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\">Abseits<\/span><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"> (Offside) at Filmstudio, as an Ausw\u00e4rtsspiel, an afterimage, and a final, reflective nuance once the main festival program has come to a close.<\/span><\/span><\/p><p class=\"cvGsUA direction-ltr align-justify para-style-body\"><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\" style=\"color: #ffffff;\">Nicht nur die Haut ist fl\u00fcssig in <strong>Brazil\u2019s<\/strong> ikonischer Welt der High-Society-Sch\u00f6nheitskultur \u2013 auch der Sinn im staatlichen Gef\u00fcge l\u00f6st sich auf. Anders als viele andere dystopische Klassiker zeigt Brazil den totalen b\u00fcrokratischen Albtraum. \u00c4hnlich wie in Kafkas Der Prozess agiert das System als eine undurchsichtige, uns fremde Macht. B\u00fcrokratie wird zum Unterdr\u00fcckungsinstrument \u2013 Formulare, Unterschriften und Stempel fordern menschliche Opfer. Gleichzeitig bleibt der dekadente \u00dcberfluss der Oberschicht bestehen.<\/span><\/p><p class=\"cvGsUA direction-ltr align-justify para-style-body\"><span style=\"color: #ffffff;\"><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\">Wir freuen uns sehr, Abseits (Offside) im <\/span><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"><strong>Filmstudio<\/strong> <\/span><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\">zu zeigen \u2013 als Ausw\u00e4rtsspiel, Nachbild und letzte, reflektierende Nuance, wenn das offizielle Festivalprogramm bereits zu Ende ist.<\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-5b28710 e-flex e-con-boxed e-con e-parent\" data-id=\"5b28710\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3e9b983 elementor-align-center elementor-widget elementor-widget-button\" data-id=\"3e9b983\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"http:\/\/Not%20only%20the%20skin%20is%20liquid%20in%20Brazil&#039;s%20iconic%20world%20of%20high-society%20beauty%20the%20very%20fabric%20of%20meaning%20within%20the%20state%20apparatus%20dissolves%20as%20well.%20Unlike%20other%20dystopian%20classics,%20Brazil%20portrays%20the%20total%20bureaucratic%20nightmare.%20Much%20like%20Kafka\u2019s%20The%20Trial,%20the%20system%20operates%20as%20an%20opaque%20and%20alien%20force.%20Bureaucracy%20becomes%20a%20tool%20of%20oppression;%20paperwork,%20signatures,%20and%20stamps%20leave%20behind%20human%20casualties.%20At%20the%20same%20time,%20the%20decadent%20excess%20of%20the%20upper%20class%20persists.%20We%20are%20thrilled%20to%20screen%20Abseits%20(Offside)%20at%20Filmstudio,%20as%20an%20Ausw\u00e4rtsspiel,%20an%20afterimage,%20and%20a%20final,%20reflective%20nuance%20once%20the%20main%20festival%20program%20has%20come%20to%20a%20close.\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-icon\">\n\t\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-ticket-alt\" viewbox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M128 160h320v192H128V160zm400 96c0 26.51 21.49 48 48 48v96c0 26.51-21.49 48-48 48H48c-26.51 0-48-21.49-48-48v-96c26.51 0 48-21.49 48-48s-21.49-48-48-48v-96c0-26.51 21.49-48 48-48h480c26.51 0 48 21.49 48 48v96c-26.51 0-48 21.49-48 48zm-48-104c0-13.255-10.745-24-24-24H120c-13.255 0-24 10.745-24 24v208c0 13.255 10.745 24 24 24h336c13.255 0 24-10.745 24-24V152z\"><\/path><\/svg>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">TICKETS<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-5784451 e-flex e-con-boxed e-con e-parent\" data-id=\"5784451\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-59dd254 elementor-widget elementor-widget-video\" data-id=\"59dd254\" data-element_type=\"widget\" data-settings=\"{&quot;youtube_url&quot;:&quot;https:\\\/\\\/www.youtube.com\\\/watch?v=ZKPFC8DA9_8&amp;pp=ygUOYnJhemlsIHRyYWlsZXI%3D&quot;,&quot;video_type&quot;:&quot;youtube&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<div class=\"elementor-video\"><\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>AFTER-IMAGE: SCREENING AFTER THE FESTIVAL Not only the skin is liquid in Brazil&#8217;s iconic world of high-society beauty the very fabric of meaning within the state apparatus dissolves as well. Unlike other dystopian classics, Brazil portrays the total bureaucratic nightmare. Much like Kafka\u2019s The Trial, the system operates as an opaque and alien force. Bureaucracy [&hellip;]<\/p>","protected":false},"author":2,"featured_media":0,"parent":596,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-678","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Brazil - Filmfest Aachen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmfestaachen.com\/en\/programm\/brazil\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Brazil - Filmfest Aachen\" \/>\n<meta property=\"og:description\" content=\"AFTER-IMAGE: SCREENING AFTER THE FESTIVAL Not only the skin is liquid in Brazil&#8217;s iconic world of high-society beauty the very fabric of meaning within the state apparatus dissolves as well. Unlike other dystopian classics, Brazil portrays the total bureaucratic nightmare. Much like Kafka\u2019s The Trial, the system operates as an opaque and alien force. 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